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LAST READING Reading Wednesday 9 (Colonialism)

http://sindominio.net/ ~ pablo / papers / texto_colonialismo.pdf

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I leave some interesting links:

http://es.wikipedia.org/wiki/Fracci% C3% C3% A9rcito_Rojo B3n_del_Ej%

http://www.diezienmil.blogspot.com/


reprography Tomorrow I will leave the statement of dissolution of the RAF.
When you have your hang time schemes of the last session.

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Text on RAF RAF

http://cotarelo.blogspot.com/2009/03/no-habia-salida.html

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A Clockwork Orange (we on Wednesday)

The few interventions suggested to go blog on Wednesday. It would be nice if someone could Helm call to see if we make the group rate.


I leave an interesting text: Clockwork Orange and the Aestheticization of Violence

http://cinemaspace.berkeley.edu/Cinema_Beyond/C_B.lectures/ClockworkOrange/Benj_CultIndustr_Clckwrk.html

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Reading Texts

Here are the texts in pdf:

http://www.sindominio.net/ ~ pablo / papers / lecturas.violencia.social.PDF

them is highly recommended read for Wednesday 4 and Wednesday, 11 fundamental .

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Social Violence

are already available in the reproduction which is opposite the library. Hasta el lunes no me los entregan en pdf. Los colgaré en cuanto me los den en el blog.

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Second Session Item 1 (item 1 and the introduction order to 2)

¿Qué es la política?

• Discusión con G. Agamben y J. Butler (Eichman en Jerusalem / pena de muerte)

• Política como decisión sobre la vida (Derecho como voluntad política racionalizada del vencedor)

• Análisis de las escenas finales de Dancer in the dark y Dogville de Lars von Trier (Ver texto de S. Zizek ) - Las implicaciones de la decisión política (destrucción of Dogville and cruelty)

last scene of Dogville: http://www.youtube.com/watch?v=ReXYIP5xA-c

• Any r policy decision is a decision about life

Introduction to violence in movies

• Different aesthetic languages:

• The model funny games (snuff)

• The aestheticization extreme violence (Beauty and colonialism in Apocalypse Now)

• The Battle of Algiers or truth of the anticolonial struggles

Introduction to La haine


Topics

• Social Violence Movie
• code red (as opposed to the hegemonic representations of migration and neighborhoods)
• geographical Key film: Center and Periphery
• question of French national identity

key Aesthetic Center Influences

periphery (Barrio, Taxi Driver ...)

Difference Moet Imperial And White Star

A Clockwork Orange (extra session)

These are the data sent Borja. I think his is going on Wednesday after school. Well as of double session La haine / Clockwork Orange ... and what someone thinks we can eat something ... Kinepolis Cinemas

:

http://www.kinepolis.com/es/index.cfm?PageID=449&cid=KMAD
(this is the place on Wednesday, but if does not put you on Friday or not)

Yelmo :

YELMO CINES Islazul - Madrid Ctro. Cial. Islazul C / de la Calderilla, 1, Madrid
Friday 30/10 22:45	Saturday 31/10 22:45	Sunday 01/11 22:45	Monday 02/11 20:20 22:45	Tuesday 03/11 20:20 22:45	Wednesday 04/11 20:20 22:45	Thursday 05 / 11 20:20 22:45

http://www.yelmocineplex.es/node/6310


CINES VERDI: it seems to not have it already in theaters. Cine Cinemas

Manoteras Quote:
http://www.ugc.es/reservation/ChoixResa.jgi?CINEMA=3406&FILM=0102201&VERSION =

(leaves only me to see on Wednesday)

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extraordinary activity (A Clockwork Orange)

these days is planned. I think we would of wonder to the issue of violence that began this week. I propose that we go on Friday to verdi at 19. Can anyone verify that it is up to then?

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would be great if you have a chance to see Lars von Trier

Dancer in the Dark Dogville http://es.wikipedia.org/wiki/Dancer_in_the_Dark

http://es.wikipedia.org/ wiki / Dogville

and read these three pages of Zizek

and my article "The walls of Thebes"

http://sindominio.net/ ~ pablo / papers / http
zizek.lars.von.trier.pdf
: / / sindominio.net / ~ pablo / papers_propios / Los_muros_de_Tebas.pdf

devote the first part to discuss the policy concept of using fragments of these films.

projects in the second part of the class "La Haine" (Hate). What we do with cuts so you should also have the bajéis.

http://es.wikipedia.org/wiki/El_odio

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for next Wednesday Text

from Monday will be available at the front of the library photocopying. I do not know when but I will ue Scanned later.

It should be read for the third session the text of Zizek.

now I leave you a short texts I Scanned it myself (sorry for quality) on the first class.


http://www.sindominio.net/ ~ pablo / papers / Shapiro.pdf

http://www.sindominio.net/ ~ pablo / papers / Zizek.pdf

http://www.sindominio . net / ~ pablo / papers / Brecht.pdf

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ITEM 1. INRODUCCIÓN


Methodology

classes. Working with text and film analysis during

projections. Deliver tab (5 favorite movies and films of Buñuel, Hitchcock, Lars von Trier and Kubrick)

. Activities extraordinary (finally 4 Friday)

.
Self
.
Blog

The film language as a key political analysis

. Joint aesthetic elements in analyzing a scene (emotional burden of interpretation intonation, features of the drawings, music ilumninación)

. First example: Deconstruction of power relations in a classroom

Performance in political geography class



Absence of aesthetic elements / Disability to express the change in power relations

The Dead Poets Society (final scene)




. Plans humiliation (chopped) and power (contrapicado) / Music and tension in the interpretation

. How Class Performance what kind of university we are?

. Second Example: Using three planes in progress to express gender roles related to power. Short

Mirror



Course Objective - Code Red Political Science (items proscribed in the course)

Few Good Men



. "Rodríguez Galindo? "Abu Ghraib?


cinema to think (M. Shapiro) - Film epistemic significance

. Accuracy of film compared to other forms of perception

. Film and Psychoanalysis The pervert's guide to cinema (S. Zizek)



. W. Benjamin - Position of the camera (the public TRIAL)

. Movies and political theater

• Estrangement (Brecht) versus catharsis (Aristótleles) Effect
• Kulechov (power assembly) versus métodoStanislavski (thrill to thrill )
• The aesthetic construction of emotion / social function and social relations of the characters to call her psychology Shapiro: Overcoming the psychological from the aesthetic
• Ranciere / Deleuze: noncentral position of the viewer who brings the camera

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Session HALL OF COMPLETION OF COURSE TO ENROLL

The course will be held in Room B05

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tuition rates : 100 euros

To enroll you must go to the General Foundation of the UCM C / Donoso Cortés, 65. 5 th floor (Training). 28015 Madrid. Metro: L6, L3 Moncloa L7 Philippines Hours: MF 9 to 14 h. Tel: 913946392 / 913946410 Fax: 913946405 / 913946411

Payment: The tuition payment is made by payment in cash or bank transfer to the General Foundation of the UCM in the following account:

• Caja de Madrid 2038 1735 95 6000402225

Please confirm telephonically the availability of places before making payment

Documentation: The documentation to be attached at the time of registration is:

• registration application form http:/ / www.ucm.es/info/fgu/fabierta/files/mod_matricula_2008_6000402225.pdf

• Copy of bank transfer

• C or pia 2009-2010 enrollment UCM (UCM students only interested in free credits)

Deliver all Previous documentation or faxed to the General Foundation.

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promotional video

Video: http://www.youtube.com/watch?v=5c5_MVljlBY

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detailed course program

program and course content: UNIT 1

. INRODUCCIÓN . Presentation of the course and methodology. Aesthetics and politics. Film as political imaginary creator. Analysis of fragments of various films. Michael J. texts Shapiro.

ITEM 2. FILM AND POLITICAL VIOLENCE . Social and systemic violence. Anti-systemic political violence in the seventies. Analysis of La Haine by Mathieu Kassovitz, the State of Siege by Costa-Gavras and RAF Red Army Faction Uli Edel. Texts of Slavoj Zizek.

ITEM 3. FILM AND COLONIALISM. Colonialism and images of the Other. The national liberation struggles in the periphery. Apocalypse Now Redux analysis of Francis Ford Coppola and The Battle of Algiers by Gillo Pontecorvo. Texts Edward Said and Frantz Fanon.

ITEM 4. FILM AND MIGRATION . The mobility of the workforce. Class and ethnic divisions. Old and new frontiers. Analysis of Bread and Roses by Ken Loach and Paul Laverty and Le the au harem d'Archimede Mehdi Charef. Sandro Mezzadra texts.

ITEM 5. Films and transgender identities. Gender as a set of built cultural roles. Transgender identities in post-Fordist capitalism. Baise-moi analysis of Virginie Despentes and XXY by Lucia Puenzo. Virginie Despentes texts and Beatriz Preciado

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Curso Cine y conflicto político

In recent years, film has become the most artistic genre important in shaping the political imaginary. From a disciplinary perspective, the course aims to give students the theoretical tools needed to understand the political importance of aesthetics and could be applied to film analysis. The course will analyze various films and work with different readings.

The sessions will be borne by Turrión Pablo Iglesias, a professor of political science at the Universidad Complutense, laying his doctorate in 2008 with a thesis on the forms of collective action movements against economic globalization. After graduating in Law (2001) and Political Science (2004, with honors) was visiting researcher at several universities in Latin America, Europe and the U.S.. He has also undertaken courses in the specialty film cultural analysis of the graduate program in humanities at the University Carlos III of Madrid, courses of short films School of Arts and philosophy of the media at the European Graduate School (Switzerland) where he has been a student of film directors like Elia Suleiman, or the Brothers Quay and cultural theorists such as Michael Shapiro, Jacques Rancière and Slavoj Zizek , among others.

Duration: 60 hours. 5 free credits.

Undertaken: Wednesday from 21 October to 27 January from 18 to 21. Four additional sessions some Tuesday. Venue: Faculty of Political Science and Sociology. Places

: 60

Registration fee: 100 euros. General enrollment UCM Foundation, C / Donoso Cortés, 65. 5 th floor (Training). 28015 Madrid. Metro: Moncloa Philippines. Tel: 913946392 / 913946410. The tuition payment is made by payment in cash or bank transfer to the General Foundation of the UCM in the following account: Caja Madrid 2038 1735 95 6000402225. Registration form in http://www.ucm.es/info/fgu/fabierta/en_curso.htm

More : political.science77 @ gmail.com

Collaboration: AU counter and Promotora Network (teachers)