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ITEM 1. INRODUCCIÓN


Methodology

classes. Working with text and film analysis during

projections. Deliver tab (5 favorite movies and films of Buñuel, Hitchcock, Lars von Trier and Kubrick)

. Activities extraordinary (finally 4 Friday)

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Self
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Blog

The film language as a key political analysis

. Joint aesthetic elements in analyzing a scene (emotional burden of interpretation intonation, features of the drawings, music ilumninación)

. First example: Deconstruction of power relations in a classroom

Performance in political geography class



Absence of aesthetic elements / Disability to express the change in power relations

The Dead Poets Society (final scene)




. Plans humiliation (chopped) and power (contrapicado) / Music and tension in the interpretation

. How Class Performance what kind of university we are?

. Second Example: Using three planes in progress to express gender roles related to power. Short

Mirror



Course Objective - Code Red Political Science (items proscribed in the course)

Few Good Men



. "Rodríguez Galindo? "Abu Ghraib?


cinema to think (M. Shapiro) - Film epistemic significance

. Accuracy of film compared to other forms of perception

. Film and Psychoanalysis The pervert's guide to cinema (S. Zizek)



. W. Benjamin - Position of the camera (the public TRIAL)

. Movies and political theater

• Estrangement (Brecht) versus catharsis (Aristótleles) Effect
• Kulechov (power assembly) versus métodoStanislavski (thrill to thrill )
• The aesthetic construction of emotion / social function and social relations of the characters to call her psychology Shapiro: Overcoming the psychological from the aesthetic
• Ranciere / Deleuze: noncentral position of the viewer who brings the camera