program and course content: UNIT 1
. INRODUCCIÓN . Presentation of the course and methodology. Aesthetics and politics. Film as political imaginary creator. Analysis of fragments of various films. Michael J. texts Shapiro.
ITEM 2. FILM AND POLITICAL VIOLENCE . Social and systemic violence. Anti-systemic political violence in the seventies. Analysis of La Haine by Mathieu Kassovitz, the State of Siege by Costa-Gavras and RAF Red Army Faction Uli Edel. Texts of Slavoj Zizek.
ITEM 3. FILM AND COLONIALISM. Colonialism and images of the Other. The national liberation struggles in the periphery. Apocalypse Now Redux analysis of Francis Ford Coppola and The Battle of Algiers by Gillo Pontecorvo. Texts Edward Said and Frantz Fanon.
ITEM 4. FILM AND MIGRATION . The mobility of the workforce. Class and ethnic divisions. Old and new frontiers. Analysis of Bread and Roses by Ken Loach and Paul Laverty and Le the au harem d'Archimede Mehdi Charef. Sandro Mezzadra texts.
ITEM 5. Films and transgender identities. Gender as a set of built cultural roles. Transgender identities in post-Fordist capitalism. Baise-moi analysis of Virginie Despentes and XXY by Lucia Puenzo. Virginie Despentes texts and Beatriz Preciado
. INRODUCCIÓN . Presentation of the course and methodology. Aesthetics and politics. Film as political imaginary creator. Analysis of fragments of various films. Michael J. texts Shapiro.
ITEM 2. FILM AND POLITICAL VIOLENCE . Social and systemic violence. Anti-systemic political violence in the seventies. Analysis of La Haine by Mathieu Kassovitz, the State of Siege by Costa-Gavras and RAF Red Army Faction Uli Edel. Texts of Slavoj Zizek.
ITEM 3. FILM AND COLONIALISM. Colonialism and images of the Other. The national liberation struggles in the periphery. Apocalypse Now Redux analysis of Francis Ford Coppola and The Battle of Algiers by Gillo Pontecorvo. Texts Edward Said and Frantz Fanon.
ITEM 4. FILM AND MIGRATION . The mobility of the workforce. Class and ethnic divisions. Old and new frontiers. Analysis of Bread and Roses by Ken Loach and Paul Laverty and Le the au harem d'Archimede Mehdi Charef. Sandro Mezzadra texts.
ITEM 5. Films and transgender identities. Gender as a set of built cultural roles. Transgender identities in post-Fordist capitalism. Baise-moi analysis of Virginie Despentes and XXY by Lucia Puenzo. Virginie Despentes texts and Beatriz Preciado
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